(A-F / A-F)  picture / sound quality
( : )  approximate running time
OP - video is out of print
UR - UnReleased on video and UltraRare

THE ADVENTURERS  (1970)

A sleazy Harold Robbins novel retains its trashy aura on film.  Set in South America, it tells the tale of
a rich playboy (played by the great thespian ... Bekim Fehmiu) who uses and destroys everyone who
crosses his path.  His vileness results from having seen his mother murdered by outlaws, but his obsession
is to avenge his father's murder.  Blood, gore, revolutions, and exploitive sex follow him everywhere.
Starring Candice Bergen, Olivia de Havilland, Ernest Borgnine, Leigh Taylor-Young, Fernando Rey,
Thommy Berggren, John Ireland, Rossano Brazzi, Peter Graves, and Jaclyn Smith.   (2:50)  (A/A)  -  OP

THE ASSASSINATION OF TROTSKY  (1971)

The king of camp cinema, Richard Burton, stars as the Russian revolutionary, exiled in Mexico,
and his final months before being felled with an icepick by fellow scenery chewer Alain Delon.
Hilarious overacting by the amazing Burton.   (1:42)  (A/A) - OP

AT LONG LAST LOVE  (1975)

The infamous flop musical, directed by Peter Bogdanovich, and starring Burt Reynolds,
Madeline Kahn, Cybill Shepherd, "acting" and "singing" their way through this
bizarre tribute to Cole Porter. (1:55)  (A/A)  -  UR

AVALANCHE  (1979)

An avalanche hits a Rocky Mountain ski resort, burying a simpering Mia Farrow
and an indifferent (as usual) Rock Hudson.   Directed by Corey Allen, son of Irwin.
(1:30)  (A/A) - OP

BEWARE THE BLOB!
aka SON OF BLOB  (1969)

A hilarious and intentionally campy horror film parody, directed by Larry Hagman, and with
cameos by many well known actors, including Godfrey Cambridge and Cindy Williams.
A great double feature choice with "The Giant Spider Invasion". (1:30)  (A/A)  -  OP

BILLY JACK:  BORN LOSERS  (1967)

The first film appearance of the heroic half-breed Indian, Billy Jack.  What can you say
about a film that has a scene where Jane Russell threatens to cut her daughter's tongue
out before she will allow her to testify against the local motorcycle gang that raped her?
This definitely lives up to it's Golden Turkey reputation, a hilariously bad film that is essential!
 (1:45)  (A/A)

BILLY JACK  (1971)

The classic second film starring Tom Laughlin as the peacenik half-breed Indian
who kicks ass on prejudiced rednecks.  Scariest scene:  Dolores Taylor in the buff.
<Billy shakes his head in disbelief and sighs>  Bernerd, Bernerd, Bernerd...
(1:50)  (A/A)

COMING SOON:  BILLY JACK  WAVS

BILLY JACK:  THE TRIAL OF BILLY JACK
(1974)

The most pretentious and preachy of the series (not to mention the longest).
Everyone's favorite politically correct do-gooder goes on trial for the murder of the rapist
in the 2nd film, with flashbacks to his witnessing of the My Lai massacre, and even flashbacks
within flashbacks.  Youll get to hear pretty young Teresa Laughlin abuse her guitar (and your ears)
with her deeply meaningful "songs", and youll get to see most of the benevolent Freedom School
students mowed down by rampaging National Guardsmen (unfortunately, most of them survive).
Youll laugh, Dolores Taylor will cry, youll kiss 3 hours of your life goodbye!  (2:55)  (A/A)

BILLY JACK GOES TO WASHINGTON
(1977)

According to the Medved brothers, this is considered to be a classic "Golden Turkey",
but the film is (surprisingly enough) the most entertaining and lighthearted of the series
(it doesnt have a tenth of the heavy-handed, self-righteous moralizing of "Trial").
A fun flick!  Co- starring Lucie Arnaz, Sam Wanamaker, and E.G. Marshall  (1:50)  (A/A)

THE BITCH (1979)

Joan Collins plays a schemer who toys with the crime world to rebuild her one-woman disco
empire.  A tasteless film in which Collins treats every line (even "hello") as an innuendo, and
stares at every available male with an unbridled lust that Mae West would have deemed
excessive.  Only for campaholics who delight in the misfortune of aging actresses.
Sequel to THE STUD. Written by Joan's sister, Jackie. (1:30)  (A/A)  - OP

BLINDMAN (1970)

With Tony Anthony;  no review yet, but it is apparently a spaghetti western about
a blind gunfighter.  Italian pasta topped with cheese! ( : )  (C/C) - UR

BLOODLINE  (1979)

Directed by Terence Young; another trashy melodrama based on a Sidney Sheldon novel,
with Audrey Hepburn as the interitor of a highly valuable Swiss pharmaceutical company,
a position which puts her life in jeopardy.  With Ben Gazzara, James Mason, Michelle Phillips,
Omar Sharif, Romy Schneider, Irene Papas, and Beatrice Straight. (2:00)  (A/A)  -  OP

BLUEBEARD  (1972)

Another enjoyable over-the-top performance by Richard Burton, starring as Baron von Sepper,
an Austrian aristocrat noted for his blue-toned beard, and his appetite for beautiful wives.
His latest spouse, an American beauty named Anne, discovers a vault in his castle that's filled
with the frozen bodies of several beautiful women.  When confronted with this slight oddity,
Bluebeard explains to Anne that he found an easier alternative to divorce when he grew bored
with his previous wives.  In order to avoid being Bluebeard's next frozen bride, Anne must
find a way to outwit her murderous hubby.  (2:08)  (A/A)  -  OP

BOLERO  (1984)

Bo Derek makes another classic contribution to camp cinema in this sidesplittingly hilarious sex romp.
Bo stars as a young woman who goes on a trip around the world in hopes of losing her virginity!
In Spain, she meets a bullfighter who's willing to oblige, but an unfortunate accident with the horns
of a bull takes his virility away... can Bo get a rise out of him? (1:45)  (A/A)  -  OP

BOOM!  (1968)

A coarse, dying millionairess (Elizabeth Taylor) forms an unholy alliance with a stranger known as the
"Angel of Death" (Richard Burton).   A Joseph Losey production of a Tennessee Williams play.
The title is very appropriate for this infamous bomb.   Also starring Noel Coward.  (1:55)  (B/B)  -  OP

BUNNY O'HARE  (1970)

In this comic caper movie an elderly woman gets together with an ex-thief to begin a life of crime
after she is evicted by a mean-old banker. Their gimmick is that they rob banks dressed as hippies.
They eventually get caught, but then they are released. Soon they decide to go legitimate and get married.
~ Sandra Brennan, All Movie Guide

(1:30)  (A/A) - UR

BUTTERFLY  (1981)

Pia Zadora makes her screen debut in an overcooked melodramatic adaptation of the 1946
James M. Cain novel that is every bit as smutty and sleazy as Zadora's vampish character of Kady.
The location of the novel has been switched from Appalachia to the barren lands of Arizona and Nevada
in 1937.  Stacy Keach plays Jess Tyler, a desert hermit who has spent years guarding an abandoned silver
mine. Suddenly, Jesse is confronted by his very grown-up and sexy daughter, who, when she was a baby,
had been taken away from him by his wife Belle (Lois Nettleton).  Kady, it so happens, hasn't come home
for a family reunion -- she has just been dumped by a rich young man who is the father of her illegitimate
child and whose family owns the very silver mine that Jess is guarding. Kady hopes to use her feminine
wiles to seduce Jess and reopen the mine and extract the money from the earth that she feels is due
her from the family. As if his seductive daughter walking around bare-breasted in front of him isn't enough,
Jess must also deal with the sudden return of his older daughter Jane (Ann Dane), who appears with Kady's
son, Belle, who comes back to Jess dying of tuberculosis, and Moke Blue (James Franciscus), the man
who stole Belle away from Jess years ago. Also squeezing his way into Jess's shack is Wash Gillespie
(Edward Albert), the father of Kady's child, who now wants to marry her. ~ Paul Brenner, All Movie Guide

(1:47)  (A/A) - OP

CANDY  (1968)

Cheesy spoof about a young woman pursued by most of the male cast members,
which includes Richard Burton, Marlon Brando, James Coburn, John Huston,
Walter Matthau, Ringo Starr, Charles Aznavour, and John Astin. (1:55)  (A/A)  -  OP

CAN HEIRONYMUS MERKIN EVER FORGET
MERCY HUMPPE AND FIND TRUE HAPPINESS?
(1969)

Anthony Newley's infamous ego-trip, click here ------>  HEIRONYMUS MERKIN

CAN'T STOP THE MUSIC (1980)

Truly one of the most bizarre films Hollywood ever produced (and that covers a LOT of territory).
The first (and last) film of the tacky disco clowns, the Village People, an over-the-top waste of celluloid
with a surprising amount of overt homo-erotic subtext for a mainstream wanna-be commercial film.
Also starring Valerie Perrine, Bruce Jenner, Steve Guttenberg, and Jack Weston.  (2:00)  (B/B) - OP

THE CAR  (1977)

Is it a phantom, a demon, or the devil himself?  Sherriff Wade Parent (James Brolin) is on a mission to stop a
monstrous black sedan that roared out of the desert without warning and mercilessly began to terrorize the
residents of a small New Mexican town.  First, it crushed two bicyclists under its wheels.  A young hitchhiker
was next.  Soon, anybody in Santa Ynaz was safe from it demonic, steel-belted radials.  The Car appears
to be indestructable. No one knows where it came from, and no one knows who, or what, is driving it.
What they do know, however, is tat this turbo-charged terror has to be destroyed before it's too late.
(1:36)  (A/A) - letterboxed

THE CARPETBAGGERS  (1964)

George Peppard plays a Howard-Hughesian cad who wallows in weath and women in Hollywood
of the 20s-30s.  Watered down Harold Robbins (due to the year of release).  With Alan Ladd
(in his final performance) as "Nevada Smith" (who was played in a sequel by Steve McQueen).
Also Carroll Baker, Elizabeth Ashley, Lew Ayres, Martin Balsam, Robert Cummings.
(2:30)  (A/A)  - OP

CHATTERBOX  (1976)

A camp porno reversal of the "Deep Throat" plot.
In this one, the protagonist has a voicebox in her vagina!

CHE!  (1969)

In this badly misconceived pseudo-biography of the legendary Cuban revolutionary --
played, incredibly, by Omar Sharif -- Che Guevara takes up the cause as a rebel fighter
under the direction of Fidel Castro, played -- also incredibly -- by Jack Palance.  Guevara,
a young Argentine doctor, proves his worth under the heat of guerilla warfare and, gaining
the respect of his men, becomes the leader of a patrol. Castro is impressed by Guevara's
tactics and strict discipline and makes him his chief advisor. When Castro defeats the Cuban
dictator Batista after two years of fighting, Guevara, under Castro's nod, directs a series of
massive reprisals -- but Guevara dreams of fermenting a worldwide revolution. After Castro
backs down during the Cuban Missile Crisis, Guevara accuses Castro of being a Soviet dupe
and leaves Cuba. Under disguise, Guevara lands in Bolivia, where he attempts to begin his dream
of a worldwide peasant revolution, but the Bolivian poor will not follow his lead, and his band
find themselves starving in the Bolivian jungle and pursued by the Bolivian army.   (1:40)  (A/A) - UR
~ Paul Brenner, All Movie Guide

CIRCLE OF TWO   (1980)

A "classic" romantic teaming:  Richard Burton and... Tatum O'Neal?  Directed by Jules Dassin
(Never on Sunday), with Burton as a world famous artist, and O'Neal as a precocious schoolgirl
trying to seduce the old fart into having an affair with her.  Caused a bit of a controversy at the time,
due to a scene where Tatum shows Richard (and the camera) her young tits.  (1:30)  (A/A)  -  OP

COCAINE COWBOYS  (1970s)

A cheesy, low budget attempt at an action film with appearances by Andy Warhol.
(1:30) (B/B)  -  OP

DARLING LILI (1970)

An overblown spoof of the Mata Hari legend, with Blake Edwards directing his wife, Julie Andrews,
as the English music hall star (and German spy) who must coax secrets from flyboy Hudson (and,
judging from his indifferent acting towards her in the romantic scenes, Id say his "secret"
was pretty clear).    (2:20)  (A/A)  -  UR

THE DAY THE FISH CAME OUT  (1967)

Life on a remote Greek resort island is forever changed when two atomic bombs are accidentally
dropped there when a NATO plane flies overhead. This comedy chronicles those changes.  When the
pilots realize they've lost their load, they bail out of their plane and head for the island to get help.
The government has beaten them to the punch though and has already sent out an agent disguised
as a resort developer. All of them are busily looking for the missing weapons when the island is
suddenly filled with clamoring, hedonistic tourists who believe the developer is going to build the
best resort in the area first. When the Agean fish living just off the island begin to mysteriously
die, everyone there realizes that the jig is finally up and they so give in to their wildest desires.
~ Sandra Brennan, All Movie Guide

(1:50)  (A/A) - UR

DIVORCE HIS / DIVORCE HERS  (1973)

The most prolific camp couple of all time in a brittle analysis of the events leading up
to the disintegration of a marriage, viewed from both sides in two parts.
(2:25)  (A/A) - OP

THE DRIVER'S SEAT  (197?)

Another schizophrenic Elizabeth Taylor 60s-70s film, with a cameo by Andy Warhol.
(1:40) (A/A)  -  OP

DRUM  (1976)

Directed by Steve Carver; the sequel to MANDINGO, this time set in a pre-Civil War
bordello in New Orleans; yet another wallow in bad taste and lurid cinematic excess,
with Warren Oates, Ken Norton, and Pam Grier.  (1:30)  (A/A)  - OP

EEGAH! (1962)

A couple of teenagers come upon a prehistoric caveman (Richard Kiel), who follows them to
the city. Directed by Arch Hall Sr; starring Arch Hall Jr, who was of course hired on the basis
of his amazing acting skills.  (1:30)  (B/B)  -  OP

THE EXTRAORDINARY SEAMAN  (1965)

A nearly unreleased Golden Turkey award winner, a supposedly whimsical, nautical tale set in
the Pacific of WWII about a captain refusing to give up an abandoned ship.   With David Niven,
Faye Dunaway, Alan Alda, and Mickey Rooney.  Directed by John Frankenheimer.  (1:20)  (A/A)  -  UR

GABLE AND LOMBARD  (1976)

The love affair between two of Hollywood's greatest stars of the 1930s and '40s is recounted in
this biopic.  Clark Gable (James Brolin), the tough but quick-witted leading man often called
"the King of Hollywood," meets tart-tongued comic actress Carole Lombard (Jill Clayburgh) at a
party, and while the attraction between them isn't immediate (in fact they hate each other at first),
as fate keeps bringing them together, they fall deeply in love. Gable is married at the time, and
studio chief Louis B. Mayer (Allen Garfield) is afraid that his affair with Lombard will lead to a
scandal  that will destroy the career of his most valuable star, but Gable and Lombard weather the
storm of negative publicity, and after Gable's wife grants him a divorce, he marries Lombard. However,
their happy marriage  is cut short by Lombard's tragic death as she was selling war bonds during WWII.
~ Mark Deming, All Movie Guide

(2:11)  (B/B) - UR

GHOSTS CANT DO IT (1989)

Another hilarious Bo Derek atrocity, involving Bo's international search for the perfect
body to house the spirit of her beloved but deceased husband (Anthony Quinn).
Contains a cameo appearance by Donald Trump.  (1:35)  (A/A)  - OP

GHOSTS THAT STILL WALK (1989)

Another amazingly low-budget gem from California camp director James T. Flocker.
(1:32)  (B/B)  -  OP

THE GIANT SPIDER INVASION  (1976)

This could very well be my favorite Golden Turkey film of all time... how can you not love a film that,
in the very first scene, shows the local sheriff (played by Alan Hale Jr, aka The Skipper) greeting the
teenage hero with "hiya, little buddy!"   Or how about the classic gross-out scene of the alcoholic lady
accidentally mixing a little tarantula protein in with her drink?  Or, best of all, the largest spider in the world...
this incredible special effect was allegedly achieved (in the scenes where the spider is moving) by taking
a VW bug (the car, not the insect), throwing a rug over it, glueing several appendages on the sides, and
using the headlights for the spider's blinking eyes!!  Without a doubt, it's one of the most side-splittingly
hilarious creatures in cinematic history, and must be seen to be believed.   Look in the dictionary
under "camp classic" and youll see the poster for this masterpiece, for it is one of the
VERY best of the very worst.   (1:21)  (A/A)  -  OP

IMAGES COURTESY OF  HORRORWOOD.COM

GIRL ON A MOTORCYCLE  (1967)

Marianne Faithfull as a beautiful cyclist, riding around picturesque English countryside
and having lots of sex.  "Skin me!"  (1:45)  (A/A)  -  OP

GOODBYE NORMA JEAN (1976)

Directed by Larry Buchanan; grade Z telling of the Marilyn Monroe story  ( : )  (B/B) - OP

THE GREEK TYCOON  (1975)

An infamous 70s flop with Anthony Quinn as a Greek shipping magnate who marries the widow of a
slain and martyred American president... any resemblance to real persons living or dead is purely
coincidental.  Hilariously bad acting and soapy plotline.  (2:00)  (A/A)  -  OP

GROUND ZERO (1973)

One of the silliest thrillers ever made, from James T. Flocker.  It tells the story of a wacko who plants
a nuclear device on the San Francisco bridge, and a couple of bumbling detectives (one of whom looks
like fat Elvis) trying to track him down before time runs out.   The final scene is one of the most hilarious
in camp history, as fat Elvis grabs a huge wrench and HITS the bomb to in order to defuse it  (followed by stock
nuclear bomb test footage that would make Ed Wood drool.)   Essential and extremely rare! (1:30)  (B/B)  -  OP

HURRICANE (1979)

An unbelievably bad disaster film, and an infamous late 70s box office flop.  Jason Robards plays the
governor of a tropical island, and Mia Farrow plays his daughter, who falls in love with a tribal chieftain.
The climactic typhoon is rather impressive, even if the script is completely laughable.
(2:00)  (A/A) - OP

HURRY SUNDOWN (1967)

A lurid and laughable tale of passions and predicaments of the black and white inhabitants of a
Georgia town.  Southern movie cliches abound, as bad white guys will stop at nothing to acquire land.
Michael Caine plays a cracker with a Cockney accent, who gets his saxophone played by Jane Fonda.
Also starring John Philip Law, Burgess Meredith.   (2:25)  (B/B)  -  UR

INCHON  (1980)

The ultrarare Moonie-produced flop about a pivotal moment in the Korean War.  Ben Gazzara
looks extremely uncomfortable (although Im sure the money paid a lot of bills), Jacqueline Bissett
looks clueless as usual, and Laurence Olivier looks simply marvelous as Douglas MacArthur,
wearing so much lipstick and rouge that he looks more like J. Edgar Hoover in drag.   (2:00) (B/B) - UR

IN SEARCH OF HISTORIC JESUS  (1978)

An old (Sunn) "classic" speculation docudrama from the late 70s.  Was Christ an ordinary man?
a great prophet?  a really bad actor who usually played vacuous hippies in Grade Z counterculture films?
In the case of this film, of course, the third question turns out to be true.  (1:31)  (A/A)  -  OP

JONATHAN LIVINGSTON SEAGULL (1973)

The "classic" Richard Bach parable about a bird convinced that there must be something more to life than
flying with the flock and eating might have made an acceptable short film, but instead it was expanded
to an interminable feature length.  Music by Neil Diamond; with the voices of James Franciscus,
Juliet Mills, Hal Holbrook, Dorothy McGuire, and Richard Crenna.   (1:41)  (A/A)  -  OP

THE KLANSMAN   (1974)  aka  THE BURNING CROSS

Race relations come out on the short end in this film about a sheriff (Lee Marvin) trying to
keep the lid on racial tensions in a southern town.  Very soapy.  With Richard Burton,
Cameron Mitchell, Lola Falana, Linda Evans, and OJ Simpson.  (1:55)  (B/B)  -  OP

THE LAST MOVIE  (1971)

Dennis Hopper's infamous ego-trip film... it's as disjointed and unexplainable as a bad mescaline trip,
but it does have some scenes that are fascinating in their seemingly unscripted, improvisational style.
Everyone seems to be under the influence of various controlled substances, and undoubtedly they were.
A classic in the annals of bad cinema!   (1:50)  (A/A)  -  OP

THE LEGEND OF THE LONE RANGER  (1980)

Klinton Spilsbury as the Masked Man; Merle Haggard manages one of the most
annoying scores in motion picture history  (1:55)  (A/A) - OP

THE LONELY LADY(1983)

A long suffering female screenwriter (Pia Zadora) fails to maintain her integrity in an industry
that is more interested in seducing her than producing her.  With an infamous scene of garden hose
rape, and another infamous Oscar speech (the closest this film got to those ceremonies).
(1:32)  (A/A)  -  OP

LOOKER  (1981)

A classic good / bad film by Michael Crichton, with Albert Finney as a Beverly Hills plastic surgeon
who's supermodel patients are mysteriously dying in suicidal leaps from their highrise apartment
buildings.  Finney goes undercover (with the help of model Susan Dey) and discovers the secret of
"the lookah lens", as he pronounces it.  Hilarious commercial parodies.
(1:40)  (A/A)  -  OP

LOST HORIZON  (1972)

Unlistenable musical Shangri-la with Liv Ullmann, Peter Finch, Michael York.
(2:35)  (A/A)  -  UR

THE LOVE MACHINE (1971)

Jacqueline Susann's tacky bestseller has been further vulgarized in this adaption, with
John Phillip Law as a ruthless TV executive who uses others for self-gain. Co-starring
Dyan Cannon, Robert Ryan, Jackie Cooper, David Hemmings, and Shecky Green.
(1:48)  (A/A)  -  OP

THE LUCIFER COMPLEX (1976)

One of the cheesiest science fiction films you will ever see, directed by James T. Flocker
(aka the Ed Wood of the seventies).   So badly done, you'll swear it had to be intentional.
(1:30)  (B/B)  -  OP

LUCKY LADY (1975)

 During the Prohibition era, Walker (Burt Reynolds) and Kibby (Gene Hackman) run a liquor
smuggling operation in Mexico; they team up with Claire (Liza Minnelli), a cabaret entertainer
(dejavu) who has an "in" with several big-time nightclub owners. Complications ensue when
both men fall in love with Claire, and she can't make up her mind between them. Escaping
both the law and a murderous gang of rival crooks, the threesome set sail on a small
boat called the "Lucky Lady."  Uplifting finale in which you get the pleasure of seeing
Robby Benson machine-gunned (quite graphically) to death ... now THAT'S entertainment !!!
(2:00)  (A/A) - UR

  MAME (1975)

 Lucille Ball stars in this film version of the hit Jerry Herman Broadway musical, which featured an
electrifying performance by Angela Lansbury.  As Patrick Dennis's plucky and resilient Auntie Mame,
Ball's low-pitched, growling moan of a voice (a spine-chilling reminder of the sound of Linda Blair's
demon-possession in The Exorcist) and her gaudy and lumbering fashion-horse gait turns Mame into
an elderly cross-dresser. In this guise, Mame rehashes the plot from Dennis's novel and the previous
non-musical Rosalind Russell film. During the Depression era 1930s, she enrolls her nephew into a
liberal private school, tries a turn in show business (with the help of her friend Vera (Beatrice Arthur),
and marries a well-to-do Southern planter (Robert Preston). After her husband's death, Mame concerns
herself with her now grown-up nephew, his girlfriend, and the girlfriend's intolerant parents.
~ Paul Brenner, All Movie Guide  (2:12)  (A/A) - OP

  MANDINGO  (1975)

Directed by Richard Fleischer; a pre-Civil War plantation contains lust, cruelty, and ghastly melodrama in
equal doses, in this story of a prizefighting slave with a baseball bat between his legs (Ken Norton); also
stars James Mason as a patriarch with hilariously bad dialogue, Perry King with a laughable southern accent,
and Susan George as King's wife (who samples the sap from Norton's bat).  Written by the infamous wacko
Hollywood writer, Norman Wexler, who partly inspired Andy Kaufman's "Tony Clifton" character.
(2:10)  (A/A)  -  OP

THE MASTER GUNFIGHTER  (1976)

The "lost" film of Tom Laughlin, a bizarre western that is kind of a cross between EL TOPO and
BILLY JACK, with tons of political correctness and gratuitous violence.  A camp gem!
(1:50)  (A/A)  -  UR

THE MEDUSA TOUCH  (1977)

A very underrated film starring Richard Burton as a man with the power of Telekinesis... he kills a
schoolmaster who humiliates him, he kills his parents, he kills the annoying woman who lives next door,
and most memorably, he causes a jumbo jet to crash into a skyscraper (if you had HBO in the late 70s,
you probably remember that scene).  Lino Ventura co-stars as a French detective on loan to the British,
who attempts to discover the truth about Burton, and Lee Remick plays Burton's psychiatrist, who slowly
comes to believe the story he is telling.   I actually think this is a very enjoyable and well written film,
but the presence of overacting Burton and underacting Remick made me decide to put it in the
"camp classic" section.   (1:40)  (A/A)  -  UR

MOMENT BY MOMENT (1979)

John Travolta played his first romantic lead in this drama about an ill-fated May-September romance.
Trisha (Lily Tomlin) is a wealthy middle-aged housewife living in Southern California. Trisha's life has
become dull and uneventful, and her long-term marriage to Stu (Bert Kramer) has gone stale. One day,
a handsome young drifter named Strip (Travolta), nearly 20 years her junior, happens along the beach
near Trisha's house. He finds Trisha attractive, and he approaches her. Soon the two have fallen into
an affair, but while Trisha enjoys Strip's company and thinks that he's handsome, it's obvious that he's
more interested in her than she is in him. Moment by Moment was written and directed by Jane Wagner,
Lily Tomlin's longtime companion and frequent writing partner. ~ Mark Deming, All Movie Guide

(1:45)  (B/B)  -  OP

MONSIGNOR (1980)

Controversial saga of an ambitious priest (Christopher Reeve) who commits every kind of heresy
imaginable, including having an affair with a nun (Genevieve Bujold), while operating as the Vatican's
business manager.  Unintentional comedy on a grand scale; another camp classic from the producer
and director of MOMMIE DEAREST. (2:02)  (A/A) - OP

THE MOUNTAIN MEN (1980)

With Charlton Heston and Brian Keith as grizzled trappers looking for "beaver sign" and
battling "injuns"; an extremely enjoyable camp classic, with great mindless humor
and beautiful Canadian scenery  (1:40)  (A/A)  -  OP

MYRA BRECKINRIDGE  (1970)

click here ----->   MYRA BRECKINRIDGE

NED KELLY  (1970)

Ned Kelly (Mick Jagger) is the legendary outlaw of the Australian outback sought by authorities
for stealing horses. At age 20, Ned has already served a three-year prison term at hard labor.
When Ned's mother (Clarissa Kaye) is arrested and jailed on a bogus murder charge, Ned offers to
surrender in exchange for his mother's freedom. When the authorities refuse, the Kelly brothers go
on a robbing rampage. Cornered by the law in a saloon, Ned's brothers commit suicide rather than
be taken alive. Shel Silverstein wrote the music performed by Waylon Jennings, Jagger and Glen
Tomasetti.  Australian folk songs are also included in this story taken from a popular 19th-century ballad.
~ Dan Pavlides, All Movie Guide   (1:40)  (A/A)  -  OP   letterboxed

NEVADA HEAT (1981)

A "talented" young Las Vegas singer (Pia Zadora) must decide whether she should stay true
to her mobster lover or go to the cops in this romantic crime drama that is also titled Fake Out.
 (1:30)  (A/A) - OP

THE NORSEMAN (1977)

An ultra-lowgrade actioner set in 1006, with Lee Majors (??) as a Viking prince
who comes to North America in search of his King father (played by Jose Ferrer).
Incredibly silly camp classic. (1:30)  (A/A) - UR

NOTHING PERSONAL (1980)

Flawed and problematic, this romantic comedy is about Abigail Adams (Suzanne Somers),
a sexy, talented, and dedicated lawyer, her new client Prof. Roger Keller (Donald Sutherland),
and their fight to save baby seals from slaughter. The issue was a hot one, but the film as a whole
does not rise to the occasion. The good professor manages to get the attention of Washington
brass, and the good lawyer manages to get the attention of the professor, so the battle against
the corporate devil (Lawrence Z. Dane) in charge of the mayhem begins. And the battle of the
sexes is played out against that backdrop.  ~ Eleanor Mannikka, All Movie Guide

Memorably cheesy ending where a door opens and a CARDBOARD CUTOUT
of Sutherland and Somers is standing there ... maybe they had to refilm the ending
and couldnt afford to pay the two stars to return for it?    (1:30)  (A/A) - UR

ONCE IS NOT ENOUGH (1977)

Jacqueline Susann's novel about the beautiful people and their sexual exploits reaches
the screen with many changes, and lots of overacting.  Sit back and enjoy the trashiness!
(2:01)  (A/A) - OP

THE ONLY GAME IN TOWN (1970)

Elizabeth Taylor is absurdly cast (as usual) as a Las Vegas dancer who
tangles with a piano player (Warren Beatty).   (1:53)  (A/A) - UR

THE PEACE KILLERS  (1971)

This biker action film from a small "B" studio opened to mixed reviews. Once a woman is the "old lady"
of a motorcycle gang leader, she is always his "old lady," even when she goes to live in a hippie peace
commune and practices the disciplines of peace and love.  That's what her old gang thinks anyway, and
they intend to do something about it, even if it means pounding the whole crew of lace-clad peacenik
pantywaists into the dirt.  They begin with a little simple terrorizing and move on to heavier stuff.
~ Clarke Fountain, All Movie Guide

THE PHYNX  (1970)

Have you ever longed for the day when James Brown, Martha Raye, and Col. Harlan Sanders would appear
in a movie together? Well, that's barely the tip of the improbable casting iceberg in this bizarre cold-war spoof.
The leaders of the American intelligence organization the S.S.A. ("Super Secret Agency") are becoming
increasingly alarmed by the disappearance of a number of B-list celebrities, who are being spirited off to
Communist Albania. Eager to bring the fading stars back to the Land Of The Free, the S.S.A. come up
with a simple plan -- they'll find four typical guys in their mid-20's, have them form a rock group, make them
into international stars, and wait until they get invited to play a gig in Albania, which will allow them to find
out what's become of Rudy Vallee, Butterfly McQueen, and Huntz Hall, among others. Unemployed philosopher
Michael A. Miller, Native-American honor student Ray Chippeway, phys-ed major Dennis Larden, and
male model Lonny Stevens are drafted by the S.S.A., and after some intensive training by experts (Trini Lopez
shows them a few guitar chords, and Richard Pryor gives them a crash course in soul), they become an overnight
sensation as The Phynx (yes, it's pronounced "Finks"); their album sells 17 million copies on the strength of
songs like "What Is Your Sign?", and their groupies have to be cleared away by forklift. But fun and games
have to go to the back burner when Albanian ruler Markevitch (George Tobias) and his wife Ruby (Joan Blondell)
invite the Phynx to perform at the behest of their son. Pat O'Brien, Xaviar Cugat, Patty Andrews, Ruby Keeler,
Dick Clark, Joe Louis, Harold "Oddjob" Sakata, Fritz Feld, Rona Barrett, George Jessel and Jay Silverheels
are just a few of the other notables who make cameo appearances in The Phynx, which had a very brief
theatrical release before being sold to television in the early 1970's. Legendary songwriters Jerry Leiber and
Mike Stoller penned the songs performed by The Phynx (and Stoller composed the background score),
though for some reason they're not covered nearly as often as Jailhouse Rock, Hound Dog, or Yakkety Yak.
~ Mark Deming, All Movie Guide

POOR QUALITY PRINT - UPGRADE COMING SOON

THE PINK ANGELS  (1971)

This really isn't such an odd duck when you think about it; after Easy Rider became a hit there was such a
glut of quickie cheapo biker flicks that film makers were anxious for any kind of hook. So we were treated to
evil biker gangs, good biker gangs, black biker gangs, chick biker gangs, and even a werewolf biker gang.
So it cant be much of a shock that a lightbulb went off over director Larry G. Brown's head one day
leading to THE PINK ANGELS, which as far as we know is still the worlds only GAY BIKER FILM.   It's all
pretty tame stuff really, there's never any kissing or boinking between the Pink Angels, and aside from lots of
prancing and mincing there's no real proof that the angels are indulging in the unspeakable vice of the Greeks.
I guess full on Manwich sex might have been a bit too much for the southern drive-in crowd that this thing was
inexplicably targeted at. Even at this PG level I can just imagine that a lot of good ol' boys did a spit-take with their
Old Milwaukee (A Damn man! This a goddamn quar movie!!?). So anyway, the P.A.s are on a cross country trip to
a big drag ball and along the way have loads of confusing hi-jinks that include ignoring strippers while admiring
their outfits, run-ins with mean redneck cops (was there any other kind of cop in the 70's?), and getting into
squabbles with a 100% hetero gang featuring Dan Haggerty of "Grizzly Adams" fame. As mentioned before it's
all very confusing as the majority of the movie seems to be improvised and I don't think any of the cast was up to
the job. So basically you've got 81 minutes of a bunch of dudes who look like the first 3 rows of a Molly Hatchet
concert flitting about doing impersonations of the guy from the "Peter Pan" website. There's a wacky ending though;
The P.A.s (In full drag) and the straight bikers all get lynched out of nowhere by some right-wing white supremacist
group while some bad folk music plays us into the credits.   - Brainsonfilm.com

RAT PFINK A BOO BOO  (1966)

When CEEBEE BEAUMONT, girlfriend of singing idol LONNIE LORD, is kidnapped by THE CHAIN GANG,
Lonnie and his friend TITUS TWIMBLY swing into action. They become the mighty, costumed superheroes RAT
PFINK and BOO BOO. Champions of women and children everywhere. Between rock & roll songs at wild,
watusi go-go parties, Rat Pfink and Boo Boo search for Ceebee in their Ratcycle. After many harrowing escapes
they finally rescue Ceebee and end The Chain Gang's reign of terror - only to face the fanged fury of
KOGAR THE APE, escaped from a jungle compound.  But Rat Pfink save the day as well as Ceebee from the
escaped ape and all zing over to the city-wide parade held in their honor, as once again Rat Pfink
and Boo Boo prove that Crime Does Not Pay!

THE RETURN  (1980)

Jan Michael Vincent as a deputy (who swills beer while on duty), Cybill Shepherd as a reporter
investigating alien activities.   Good old fashioned camp fun!   (1:30)  (A/A)  -  OP

ROLLER BOOGIE  (1979)

This lively film was made to cash in on the roller skating craze that swept southern California in the late
1970s. The story centers upon a poor-little-rich-girl runaway who heads for theVenice boardwalk to join the
other hipsters on wheels. She and her new friends then team up to keep an avaricious developer from razing
the local roller rink and putting a shopping mall in its stead. ~ Sandra Brennan, All Movie Guide

(1:45)  (A/A) - OP

R.P.M (REVOLUTIONS PER MINUTE)  (1970)

A very campy counterculture film, with Anthony Quinn as an ultraliberal professor who is having an affair
with a mouthy young colelege student (Ann-Margret).    Also starring Gary Lockwood. (1:32)  (A/A)  -  OP

SATAN'S SADISTS  (1969)

A bunch of bad actors on motorcycles maraud through the desert and chew the sand AND the scenery.
Infamous at the time for its incredibly tasteless ad campaign which sold it as "the REAL story of
the Manson murderers", even though the only thing it had in common with them was the fact that the
characters in the film had long hair and lived in the desert too.  (1:45)  (B/B)  -  OP

SCIPIO AFRICANUS (1937)

Badly flubbed propaganda film, produced by Benito Mussolini and directed by his son.
Paper mache elephants, Roman soldiers wearing wristwatches, all to praise the glorious
Italian empire.   In Italian with NO subtitles. ( : )  (B/B)  - UR

SEXTETTE (1976)

Mae West, the woman who created sex on the screen, came out of retirement a second time
in the 70s (after the infamous MYRA BRECKINRIDGE) to make a fool out of herself
once again.  She plays a much-married sex symbol who is being deluged by her
ex-husbands on her current honeymoon. The REAL "night of the living dead", and
much scarier than Romero's zombies.  Also starring Tony Curtis, Ringo Starr,
Timothy Dalton, George Hamilton, and Alice Cooper!   (1:31) (A/A)  -  OP

SGT. PEPPER'S LONELY
HEARTS CLUB BAND(1978)

Pop star Peter Frampton and the Bee Gees star in this musical, VERY loosely based on the popular 1967
Beatles album of the same title.  In the story, Billy Shears, who now heads the Lonely Hearts Club Band,
is the grandson of the famous Sergeant Pepper.  He is confronted by the need to save the magical musical
instruments of the band from the bad guys, led by music tycoon B.D. Brockhurst (Donald Pleasance),
who want to steal them. If they succeed, the magic which infuses "Heartland U.S.A." will disappear.
Among the many Beatles' songs performed in the film by well-known popular artists are: "She's Leaving Home"
(Bee Gees, Jay MacIntosh, John Wheeler), "Maxwell's Silver Hammer" (Steve Martin), "Got To Get You into
My Life (Earth, Wind & Fire), "When I'm 64" (Sandy Farina), "Come Together" (Aerosmith), "Sgt. Pepper's
Lonely Hearts Club Band" (sung by the Bee Gees, Paul Nicholas), "With a Little Help from My Friends"
(Peter Frampton, theBee Gees), "Fixing a Hole" (George Burns), and "Get Back" (Billy Preston).
~ Clarke Fountain, All Movie Guide  (1:51)  ( / ) - OP

SKIDOO  (1968)

The infamous Otto Preminger head film with Jackie Gleason, Groucho Marx, and others!
Click here----->    S K I D O O (1969)

SOME CALL IT LOVING (1973)

A bizarre fantasy film transplanting the story of Sleeping Beauty (Tisa Farrow) to modern-day California.
As her Prince Charming, Zalman King gives a sleepwalking performance.  Richard Pryor plays a vulgar,
pathetic graffiti artist / wino.  Directed by James B. Harris. (1:45)  (B/B)  -  OP

STAIRCASE  (1970)

Homosexuality is only incidentally important in this drama of dependence and intimacy between
two aging hair stylists, and nothing shocking to staid and heterosexual sensibilities takes place
in this movie, a star turn for Richard Burton and Rex Harrison. Whether the original play was as
patently offensive to actual homosexuals as this movie is, is open to question. What is certain is
that it grossly exaggerates every unpleasant "fag" stereotype in the books, However, the lead actors
skillfully make art out of these very same offensive tics, demonstrating the mysterious power of great
performers to make a silk purse out of a sow's ear. In the story, Charlie (Harrison) and Harry (Burton)
have been roommates, business partners and intimates for many long years, and their convoluted
mutual dependency is every bit as complicated as that between any aged but incompatible couple who
have grown used to one another over the years. Charlie thinks he can do without Harry, but Harry
knows better and patiently bears the barbs and arrows that come his way. One of the nicer aspects
of the stereotypical portrayal is that both men get to demonstrate some beautifully sharp, barbed wit.
~Clarke Fountain, All Movie Guide (1:40)  (A/A)  -  UR

THE STUD (1978)

A waiter works his way up in the world by sleeping with the boss' wife
(played by bad movie queen Joan Collins).   Written by Joan's sister, Jackie.
Followed by THE BITCH.  (1:35)  (A/A)  -  OP

THE SWARM  (1978)

Another of my most beloved camp classics, the story of a band of killer bees who are
attacking towns because the sounds of the alarms are making them horny for their queen
(its all explained at the end of the film, but never mind)... Michael Caine walks through his
role with his hands clasped firmly behind his back at all times (Irwin Allen undoubtedly was
holding him prisoner), Henry Fonda overacts so much that it would even embarrass Richard
Burton, and Richard Widmark does his usual job of sounding like he's trying to read a cuecard
after taking 20 tablets of Valium.  A wonderfully entertaining cinematic experience!
(2:00)  (A/A)  -  OP

TAKE IT OUT IN TRADE

Outtakes of an Ed Wood fiilm that has since been lost (but you never know, it may someday
be found). No soundtrack (they use very cheesy music in its place, which is appropriate
considering that it's Wood footage), but lots of nudity, and a few shots of Ed in drag
(a truly scary sight!)  ( : )  (B/B)

TARZAN THE APE MAN (1981)

The deranged remake of the original Tarzan film with Bo Derek as Jane, the virginal (hehe)
daughter of scenery-chewing explorer Richard Harris.  Directed by John Derek (of course).
(1:50)  (B/B)  -  OP

THANK GOD IT'S FRIDAY!  (1979)

A disco dud with the Commodores, Donna Summer,
Debra Winger, Jeff Goldblum, and dancin'.
(1:40)  (A/A) - OP

THUNDERCRACK!   (1976)

No review yet - a campy porno spoof of some kind

TOUGH GUYS DONT DANCE  (1987)

Written and directed by Norman Mailer; a writer and ex-con (Ryan O'Neal) wakes from a
two-week drinking binge to find a pool of blood in his car, a woman's head in his marijuana stash,
and a psychotic police chief (alltime scenery-chewing champ Wings Hauser) playing house with his
former girlfriend (Isabella Rossellini).  More mutilated corpses turn up and O'Neal suspects everyone,
including his ex-wife, a millionaire college pal - and himself.  Hilariously over-the-top and bizarre.
"Oh God!!  Oh Man!!  Oh God!!  Oh Man!!!"(1:50)  (A/A)  -  OP

TREASURE OF THE FOUR CROWNS (1983)

A Spanish semi-ripoff of Indiana Jones from Tony Anthony, originally released in 3D
as a followup to Anthony's COMIN' AT YA. (1:37)  (A/A)  -  OP

VALLEY OF THE DOLLS  (1967)

A cinematic take on a 1960s bestseller, Valley of the Dolls traces the ups and downs of three
young women as fame, booze, pills and men consume their lives. Well-bred, small-town Anne Welles
(Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting
theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen
Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely
O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously
boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon
she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge
star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne
becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with
aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll
on all three women, they take refuge in food, sex, liquor and pills -- especially Neely, who becomes
downright monstrous. (The titular "dolls" are the uppers and downers to which she becomes hopelessly
addicted.) Although the film's characters are fictitious composites, Neely most closely resembles
Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a
few days by Hayward. Although the film's trailer played up the story's titillating subject matter,
the script for Valley of the Dolls actually toned down Jacqueline Susann's novel.  And despite the fact
that Dionne Warwick can be heard singing (Theme from) The Valley of the Dolls twice during the film,
contractual snags kept her from releasing the soundtrack version; a different arrangement later became
a No. 2 pop hit in 1968. ~ Brian Dillard, All Movie Guide

(2:03)  (A/A) - letterboxed

VILLAIN (1971)

This melodramatic crime drama tells the story of homosexual gang leader Vic Dakin
(Richard Burton), who likes a bit of rough sex with his petty criminal pal Wolfe (Ian McShane).
Aside from payroll robberies, his gang is not above blackmailing sexually deviant members
of Parliament. A Scotland Yard Police Inspector, played by Nigel Davenport, has been after
his gang for years and does everything in his power to close it down. When one of the gang
members, Frank (Joss Ackland), winds up hospitalized for an ulcer and looks likely to spill
the beans to the police, some complicated shenanigans take place.
~Clarke Fountain, All Movie Guide   (1:40)  (A/A)  -  UR

THE V.I.P.'s  (1963)

Terrence Rattigan, the playwright who brought us the multicharactered, multistoried
Separate Tables, again offers us an episodic cross-section of humanity in The V.I.P.'s.
When a heavy London fog paralyzes all air traffic, the lives of several people are profoundly
affected.  As indicated by the title, most of the characters in this portmanteau film are of the
social and/or financial elite. Elizabeth Taylor wishes to leave her enormously wealthy husband
Richard Burton in favor of playboy Louis Jourdan. Peripatetic European film producer Orson
Welles is hoping to escape London with his newest protegee Elsa Martinelli in order to avoid
paying his income tax. Australian businessman Rod Taylor, accompanied by his devoted (and
adoring) secretary Maggie Smith, is anxious to head to New York to stave off a hostile takeover
of his firm.  And impoverished aristocrat Margaret Rutherford (who won an Oscar for her
performance) would rather not go to Florida to accept a job as a social arbiter, but the wolf must
be kept from the door. Before the fog disperses, you can be sure that at least one of the many
plotlines will intersect with another.  David Frost, in a tiny part as a reporter, was fond of
recalling in later years that, while the major stars of The VIPS were introduced in the opening titles
with animated limousines, he was consigned a tiny Volkswagen; alas, no such cartoon joke appears
in the film, though on occasion the actors-particularly Mr.Welles-behave as though they were
cartoons.  Mercilessly skewered by the critics, The VIPS was a winner at the box-office,
due in great part to the Cleopatra-inspired publicity concerning the top-billed Liz Taylor
and Dick Burton. ~ Hal Erickson, All Movie Guide   LETTERBOXED!  (2:00)  (A/A) - UR

VIVA KNIEVEL (1978)

Evel tried to bring his persona to the screen, but ends up showing that his "acting" would
even be rejected by Ed Wood. The irrepressible daredevil battles drug smugglers and syndicate
hit men while trying to sober up his mechanic (Gene Kelly).  Also starring Marjoe Gortner,
Lauren Hutton, and Red Buttons.  (1:45)  (A/A)  -  OP

WATERLOO  (1970)

Russian director Sergei Bondarchuk directed another one of the great scenery chewers,
Rod Steiger, in this tale of Napoleon.  As usual, Rod rolls his eyes, bellows, grabs his
head in anguish, and overacts like a man possessed. (2:10)  (A/A)  -  OP

W.C. FIELDS AND ME   (1975)

This is the film version of the Fields biography written by the comedian's former mistress
Carlotta Monti.  Fields was a great comedian in vaudeville and early talking films, who was noted for
his ability to say the most hilariously cutting and mean things in a cheery, bright tone of voice. He had
amazing skills in the manipulation of objects, from pieces of paper to crooked cue sticks. Rod Steiger
plays Fields, while Valerie Perrine portrays Ms. Monti. Jack Cassidy is also on hand as Fields' close
friend and drinking crony John Barrymore, and Billy Barty as his midget pal. The film is not above
sacrificing facts for a good story, notably in its recreation of Fields' celebrated "dentist" routine.
W. C. Fields and Me depicts the great juggler/comedian as a straightforwardly mean-spirited man,
whereas he is generally believed to have been more complex than that. ~ Hal Erickson, All Movie Guide

(1:51)  (B/B) - UR

WEREWOLVES ON WHEELS  (1971)

This biker-horror oddity was directed by former editor Michel Levesque (Sweet Sugar).
The plot concerns a motorcycle gang, The Devil's Advocates, led by Adam (Stephen Oliver).
The bikers are turned on to Satanism by creepy monk Severn Darden, leading to lengthy
scenes depicting various occult rituals, drug trips, and female nudity. The cycle-riding werewolf
only appears in the last few minutes of the film, but cult devotees will be happy in the interim
watching such minor celebrities as Billy Gray, the child star of Father Knows Best who
was fresh off a marijuana arrest, and Barry McGuire, singer of the seminal '60s protest
song "Eve of Destruction." Stunt coordinator Chuck Bail went on to direct
The Gumball Rally (1976) and several blaxploitation films.
~ Robert Firsching, All Movie Guide

WHAT DO YOU SAY TO A NAKED LADY?
(1970)

Allen Funt of "Candid Camera" fame films reactions of people who are confronted with a nude female.
Elevator passengers in a New York office building get an eye opening look at a naked woman. A lecturer
on sex education is also nude, and a group of women are left in a room with a nude male model.
An on the street interview asks people to comment on an interracial relationship. The X rating of the film
and Jack Valenti's unfavorable reaction to the showing of the feature helped to fuel box office interest.
The reactions of the viewers is predictable. ~ Dan Pavlides, All Movie Guide

WHEN TIME RAN OUT  (1980)

The final film by disaster movie maven Irwin Allen, this one stars somnambulent Paul Newman
as a oil-driller on an island with a volcano that's about to explode.  Lots of overacting
and cheesy special effects.  All that's missing is Michael Caine!  (2:00)  (A/A)  -  UR

WINDOWS (1979)

Slow-moving and dark, this Klute clone stars Talia Shire as Emily Hollander, a retiring, painfully
introverted woman with a stutter who advertises her insecurity. She is attacked one day and her
anguish recorded on tape by her assailant. It soon becomes apparent that her wacko lesbian
neighbor Andrea (Elizabeth Ashley) is in love with her but too demented to express herself openly.
She hired the assailant, though exactly why is not clear.  Detective Bob Luffrono (Joseph Cortese)
is called in to watch over Emily and perhaps corner her attacker. The relationship between
Emily and the detective starts to slowly heat up, but meanwhile, there is Andrea with her
telescope, spying on Emily and definitely up to no good. ~ Eleanor Mannikka, All Movie Guide
 (1:36)  (A/A) - UR

THE ZODIAC KILLER  (1970)

A hilariously campy, low-budget Northern California laughfest, with a rabbit-loving killer who sounds
at times like Lenny from OF MICE AND MEN.   Strangely enough, it actually follows the loose facts
of the case fairly closely, even as its Ed Wood-level script causes you to laugh out loud often.
This makes a great double feature with GROUND ZERO !   (1:30)  (A/A)  -  OP

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